SEE love BUY
Admire. Enquire. Acquire.
Each Electric Art edition is held in a private archive to ensure provenance and thoughtful placement.
If a particular work resonates with you, we invite you to open a dialogue.
Please reference the collection or piece below. We will provide a comprehensive dossier including current edition availability, material specifications and global logistics.
Location:
Online Gallery
Based between the UK and Portugal
Pop-up exhibitions at select venues and events
Private views by appointment only
Contact:
UK +44 020 8058 1848
PT +351 910 780 838
In a world of automated hyper efficient noise, we’ve decided to be gloriously human.
You can expect a human response within one or two days. We don't believe in rushing things that matter.
Location:
Online Gallery
Based between the UK and Portugal
Pop-up exhibitions at select venues and events
Private views by appointment only
Contact:
UK +44 020 8058 1848
PT +351 910 780 838
Founder / Electric Art Gallery
Electric Art Gallery is directed by Christopher Radcliffe, an artist, curator and creative strategist whose thirty-year career has been shaped by close proximity to some of the twentieth century’s most radical creative voices.
Originally from Liverpool, Radcliffe moved to the Mediterranean in the early 1990s. While living and working between Cadaqués and Barcelona, Radcliffe worked closely with Carlos Lozano, the gallerist who managed Salvador Dalí’s affairs for over two decades. Through this proximity, he gained an insider’s perspective on the art world — and saw how easily it falters when celebrity and hype take precedence over the work itself. During the same period, he spent many mornings in conversation with Antoni Tàpies and his son at the Tàpies Foundation, absorbing a heterodox way of thinking about art rooted in material, restraint and presence, where meaning is carried by physical and emotional weight rather than curated narratives, commercial hype, or pretentious elitism.
In 1997, Radcliffe founded Neujuice Gallery at the Old School Studios in Brighton, representing more than 100 emerging artists until 2000. What followed were two decades working across New York and South Africa in architecture, branding, nightclub design, advertising and emerging digital culture — industries where image, authorship and value are constantly negotiated.
Electric Art Gallery emerged from that accumulated experience. Rather than a reaction to the status quo, it functions as a new blueprint — a lean, speculative model designed to strip away the art world's traditional scaffolding, minimise hierarchy and return the focus to where it belongs: the artwork itself.
